James continues his background on Pioneers of Bluegrass Music commenting, "Since I had no filmmaking background, I contacted a friend in the film industry to help and off we went to make a splash in bluegrass history. We took a roadtrip down to Owensboro, KY and started interviewing and filming legends that had gathered together to support the opening of the International Bluegrass Music Museum. Then we started contacting pioneers in Nashville and surrounding areas, going to their homes, riding on their buses, and talking to them backstage before performances. Everywhere we went, we were not only welcomed but embraced...they wanted to share their stories and their love of this music."
One of the most important excerpts from this film is an interview with Patsy and Donna Stoneman from the Stoneman Family. Few people realize that before the Carter family, there was Ernest “Pop” Stoneman, his wife Hattie, and their family. Their music spanned old time country music to what eventually became known as bluegrass. The Bristol, TN sessions from 1927 are often credited as the earliest country recordings. But starting back in 1924, Ernest Stoneman had already cut two unissued songs for Okeh Records followed by more than 100 other recordings over the next 3 years, including string band standards such as Old Joe Clark, John Hardy, Don’t Let Your Deal Go Down, Wild Bill Jones, The Long Eared Mule, and Going Up Cripple Creek — all prior to the Bristol recordings. Patsy and Donna were visibly upset because Poppa Stoneman wasn’t even in the Country Music Hall of Fame [he was finally inducted in 2008]. They worried that the entire legacy of the Stoneman Family would be forgotten and were anxious to talk to me...to preserve their family history.
Reams remembers sitting on the porch of a log cabin in Pennsylvania with Kenny Baker talking about his music and realizing that his story and his association with Bill Monroe is just as important as Bill Monroe’s story. Kenny worked with Bill for over 25 years, playing longer than anyone else as a Blue Grass Boy, before moving on to release albums of his own. His insights into Bill Monroe’s music and the tunes that he helped Bill create, like Jerusalem Ridge, are some of the rare gems collected by this film.
Driving down winding roads back into the hills and bouncing through creeks to interview some of these reclusive musicians, he was struck by how many of them felt that nobody was interested in their story. To see their eyes light up as they talked about their contribution to music they love made it all so real to Reams. Time after time, they reiterated that one man didn’t create this genre, it was born from the dedication of many old time musicians that took their licks and gave them right back again in the form of their music.
Reams says, "After gathering a number of interviews on film, we started thinking about how this should all come together. We found an editor and pieced together a 20 minute preview which was released in 2005 with James Reams & the Barnstormers' CD Troubled Times. That sneak peak generated a whole pile of cards and letters from all kinds of people, including Art Stamper’s widow, thanking us for the memories. The outpouring of love and encouragement from the bluegrass community was invigorating.
"We hit a few snags in post production. The film industry went bust with the recession and advent of Internet-based materials, so funds dried up. Technical difficulties mounted. And then, in 2011, there was the death of my partner, Tina Aridas, who was a huge influence on and a major supporter of this film. One of her dying wishes was that this film would be completed.
"In 2013, I will be celebrating 20 years as a bandleader. My music career is going strong and I’m again collaborating with legendary musicians making the music I love. I want so much to be able to share these interviews with fans everywhere and thought that my 20th anniversary would be perfect timing for the film’s release. "
Everyone who truly loves this music should want to hear the stories from not just the big names in our business but from the likes of Bill Yates, Art Stamper, Melvin Goins, and Kenny Baker...words preserved now in this documentary, honoring their legacy. “Making History with Pioneers of Bluegrass Music” proves that their lives are no less important to how bluegrass got started than the major stars.
Won't you please help us keep their stories alive? Our goal of $5,000 is the bare minimum needed to complete the project. A donation of any amount will help, but the campaign will only be funded if we reach our goal or beyond. Please pass the word along to other bluegrass fans - together we can preserve these words of wisdom for future generations. Thank you from the bottom of my heart!